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Like solo Gwen Stefani resurrected from the depths of Harajuku, British synth-pop star-in-the-making Tiny Dancer is all infectious punch and effortless cool, an artist with both a raw, frenetic artistry and a glimmering pop sheen. The petite pop princess creates sticky-sweet, eccentric ear candy that recalls the howling, primal quirk of 80′s new-wave, but with a modern electronic twist.

Her teasingly-titled debut EP, ‘Who Am I,’ produced by Wayne Wilkins, is just as mystical as it sounds to be, at least according to the two songs released off it so far. Title track and lead single “Who Am I?” is a twinkly slice of tribal electro pop, with a frantic chorus and rhythmic beats that bury deep into the brain.

And the second track, “Skies To Blue,” is an equally infectious song, but for different reasons. “Skies To Blue” is a sweeping, hopeful electro-pop ballad, with a heartfelt vocal delivery reminiscent of Niki and the Dove, and dazzling flourishes of glittery electronics.

Luckily, Tiny Dancer is just as interesting visually as her music. Case in point? Take a look at the quirky, ethereal, and impressive one-take music video for “Who Am I,” below:

A little bit whimsical, a little bit conceptual, the delightfully enigmatic music of Tiny Dancer is all mesmerizing. Visit Tiny Dancer on Facebook here to learn more.


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Last Friday, I headed downtown to Pianos on the LES to catch rising synth-pop star Betty Who‘s May 3rd debut NYC performance and EP release party. I’d been introduced to the upbeat, melodic electro pop of the artist last year, so it was a fantastic opportunity to finally see Betty live and in person. And boy did she deliver.

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The little venue was packed from wall to wall. Bloggers, industry types, and fans (called the Who Crew, apparently) jammed in, drinks and cameras in hand, to catch a glimpse of the blonde dynamo. The room was buzzing with excitement.

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Once onstage, it was difficult if not impossible to come to grips that this was only the singer’s second show ever. Recalling the live spirit of another leading synth-pop lady, Robyn, Betty was a flurry of energy and seasoned stage presence onstage. Pouring on the sass heavily, she had the crowd wrapped around her finger throughout the show. She bantered, flirted, and danced, all swaying hips and beaming smiles as she bopped through her poppy electro.

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Betty performed a rather generous set, considering her young discography, mostly featuring tracks off her recently-released, acclaimed debut EP, ‘The Movement,’ while peppering in some new songs and unreleased tracks to up the excitement. “Fire With Fire,” her first official release from late 2012, was an upbeat, pseudo-nostalgic crowd favorite. A lilting acoustic piano ballad was an emotional treat, spurring more than a few tears from the audience.

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‘The Movement’ track “High Society” was another fun song live, with its bouncy, joyful melody and upbeat lyrics. But it was finale track, and current single, “Somebody Loves You,” that finished the job with a bang, its sweet, swelling 80′s beats prompting a full-blown dance party.

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Uplifting and plain old fun, Betty put on a massively joyful and incredibly impressive performance, rife with the kind of stage presence, energy, and attitude most pop stars try to exude but never fully pull off. She’s a natural, that kid, and if this was truly one of her first live gigs, I can’t wait to catch her on a full scale tour. Visit Betty on Facebook here.



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New Zealand electro-pop princess (and recent NZ X Factor judge) Ruby Frost recently hit the studio to record a stunning cover of Disclosure’s “White Noise.” With minimal electro-acoustic production, Ruby’s crystalline, earthy voice glazes through the track and over the synthy static ethereally. Emotive and raw, the cover is a unique, more tender take on the originally club-driven British garage-house track.

The “Damn! I Wish I Was Your Cover” feature was exclusively recorded for NZ dance radio station George FM. Take a look at the visual, below:

Visit Ruby Frost on Facebook here, and download the cover track here on Soundcloud.


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NYC electro hip-pop artist Moxiie is about to pop in a big way. The super fabulous white-haired jungle-pop artist just dropped the colorful video for her new single “Big.” A sonic mixture between Natalia Kills and Wynter Gordon, the track is a grimy electro banger, with dark synths and big, streetwise urban beats that lend an edgy vibe, Moxiie’s hypnotic vocals taking center stage.

Filmed in NYC in front of a super cool graffiti wall, take a look at the video below:

Visit Moxiie on Facebook here.